{"id":74,"date":"2019-01-08T17:57:54","date_gmt":"2019-01-08T16:57:54","guid":{"rendered":"http:\/\/sentiart.de\/blog\/?page_id=74"},"modified":"2019-01-09T18:33:31","modified_gmt":"2019-01-09T17:33:31","slug":"example-iv-emotional-figure-profile","status":"publish","type":"page","link":"https:\/\/sentiart.de\/blog\/example-iv-emotional-figure-profile\/","title":{"rendered":"Example IV. Emotional Figure Profile"},"content":{"rendered":"\n<figure class=\"wp-block-image is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/sentiart.de\/blog\/wp-content\/uploads\/2019\/01\/sa-example4-1024x659.png\" alt=\"\" class=\"wp-image-75\" width=\"783\" height=\"503\" srcset=\"https:\/\/sentiart.de\/blog\/wp-content\/uploads\/2019\/01\/sa-example4-1024x659.png 1024w, https:\/\/sentiart.de\/blog\/wp-content\/uploads\/2019\/01\/sa-example4-300x193.png 300w, https:\/\/sentiart.de\/blog\/wp-content\/uploads\/2019\/01\/sa-example4-768x494.png 768w, https:\/\/sentiart.de\/blog\/wp-content\/uploads\/2019\/01\/sa-example4.png 1489w\" sizes=\"auto, (max-width: 783px) 100vw, 783px\" \/><\/figure>\n\n\n\n<p><strong>Emotional Figure Profiles<\/strong> for seven main characters representing percentiles of their raw valence, arousal and emotion potential scores within the Harry Potter corpus based on a sample of 100 figures (from \u201aAlbus\u2019 to \u201aWilkes\u2019).<\/p>\n\n\n\n<p>The data suggest \u2018Harry\u2019, \u2018Hermione\u2019 and \u2018Hagrid\u2019 as the protagonists of the stories with the highest relative valence values. <\/p>\n\n\n\n<p>Expectedly, \u2018Voldemort\u2019 has the lowest valence percentile (0), but a very high emotion potential on account of his relatively high arousal and very high negative valence raw score (-.03). <\/p>\n\n\n\n<p><\/p>\n\n\n\n<p class=\"has-small-font-size\">Jacobs AM (2019). Sentiment Analysis for Words and Fiction Characters from the Perspective of Computational (Neuro-)Poetics. ms in review.<br><br>Rowling, J. K. (1997). Harry Potter and the Philosopher&#8217;s Stone. London: Bloomsbury. <br>Rowling, J. K. (1998). Harry Potter and the Chamber of Secrets. London: Bloomsbury. <br>Rowling, J. K. (1999). Harry Potter and the Prisoner of Azkaban. London: Bloomsbury. <br>Rowling, J. K. (2000). Harry Potter and the Goblet of Fire. London: Bloomsbury. <br>Rowling, J. K. (2003). Harry Potter and the Order of the Phoenix. London: Bloomsbury. <br>Rowling, J. K. (2005). Harry Potter and the Half Blood Prince. London: Bloomsbury. <br>Rowling, J. K. (2007). Harry Potter and the Deathly Hallows. London: Bloomsbury. <\/p>\n","protected":false},"excerpt":{"rendered":"<p>Emotional Figure Profiles for seven main characters representing percentiles of their raw valence, arousal and emotion potential scores within the Harry Potter corpus based on a sample of 100 figures (from \u201aAlbus\u2019 to \u201aWilkes\u2019). The data suggest \u2018Harry\u2019, \u2018Hermione\u2019 and \u2018Hagrid\u2019 as the protagonists of the stories with the highest relative valence values. Expectedly, \u2018Voldemort\u2019&hellip;&nbsp;<a href=\"https:\/\/sentiart.de\/blog\/example-iv-emotional-figure-profile\/\" rel=\"bookmark\">Weiterlesen &raquo;<span class=\"screen-reader-text\">Example IV. Emotional Figure Profile<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"neve_meta_sidebar":"","neve_meta_container":"","neve_meta_enable_content_width":"","neve_meta_content_width":0,"neve_meta_title_alignment":"","neve_meta_author_avatar":"","neve_post_elements_order":"","neve_meta_disable_header":"","neve_meta_disable_footer":"","neve_meta_disable_title":"","neve_meta_reading_time":"","_themeisle_gutenberg_block_has_review":false,"jetpack_post_was_ever_published":false,"footnotes":""},"class_list":["post-74","page","type-page","status-publish","hentry"],"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/PaB6ya-1c","_links":{"self":[{"href":"https:\/\/sentiart.de\/blog\/wp-json\/wp\/v2\/pages\/74","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/sentiart.de\/blog\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/sentiart.de\/blog\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/sentiart.de\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/sentiart.de\/blog\/wp-json\/wp\/v2\/comments?post=74"}],"version-history":[{"count":5,"href":"https:\/\/sentiart.de\/blog\/wp-json\/wp\/v2\/pages\/74\/revisions"}],"predecessor-version":[{"id":136,"href":"https:\/\/sentiart.de\/blog\/wp-json\/wp\/v2\/pages\/74\/revisions\/136"}],"wp:attachment":[{"href":"https:\/\/sentiart.de\/blog\/wp-json\/wp\/v2\/media?parent=74"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}