{"id":2,"date":"2019-01-08T16:48:52","date_gmt":"2019-01-08T15:48:52","guid":{"rendered":"http:\/\/sentiart.de\/blog\/?page_id=2"},"modified":"2019-01-31T19:28:04","modified_gmt":"2019-01-31T18:28:04","slug":"beispiel-seite","status":"publish","type":"page","link":"https:\/\/sentiart.de\/blog\/","title":{"rendered":"Home"},"content":{"rendered":"<h1><strong><em>Computational Poetics <br \/><\/em><\/strong><em><small>Computergest\u00fctzte Poetik<\/small><\/em><\/h1>\r\n\r\n<div class=\"wp-block-image\">\r\n<figure class=\"alignleft is-resized\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-20\" src=\"http:\/\/sentiart.de\/blog\/wp-content\/uploads\/2019\/01\/ArtPort-1024x1024.jpg\" alt=\"\" width=\"192\" height=\"192\" srcset=\"https:\/\/sentiart.de\/blog\/wp-content\/uploads\/2019\/01\/ArtPort-1024x1024.jpg 1024w, https:\/\/sentiart.de\/blog\/wp-content\/uploads\/2019\/01\/ArtPort-150x150.jpg 150w, https:\/\/sentiart.de\/blog\/wp-content\/uploads\/2019\/01\/ArtPort-300x300.jpg 300w, https:\/\/sentiart.de\/blog\/wp-content\/uploads\/2019\/01\/ArtPort-768x768.jpg 768w, https:\/\/sentiart.de\/blog\/wp-content\/uploads\/2019\/01\/ArtPort.jpg 1600w\" sizes=\"auto, (max-width: 192px) 100vw, 192px\" \/><\/figure>\r\n<\/div>\r\n\r\n\r\n\r\n<p class=\"has-medium-font-size\">This blog is about recent work in computational poetics and stylistics, digital literary studies and scientific studies of reading. <br \/>It&#8217;s a spin-off of an interdisciplinary research project called <strong><a href=\"https:\/\/www.researchgate.net\/project\/Neurocognitive-Poetics\" target=\"_blank\" rel=\"noopener\">Neurocognitive Poetics<\/a> <\/strong>.<br \/>It presents digital quantitative text analyses for all kinds of verbal materials in different languages with a focus on literary texts and poetry for use in science, art and business.<\/p>\r\n\r\n\r\n\r\n<h3 class=\"wp-block-heading\" id=\"h.p_8vQcZtaDfNfj\">Sentiment Analyses and other Advanced Computational Text Analyses (ACTA) for Science, Art &amp; Business<br \/>(Stimmungsanalysen und andere computergest\u00fctzte Textanalysen f\u00fcr Wissenschaft, Kunst und Anwendung)<\/h3>\r\n\r\n\r\n\r\n<p>&nbsp;<\/p>\r\n\r\n\r\n\r\n<ul class=\"wp-block-list\">\r\n<li><em>Emotion Potential (EP), Immersion Potential (IP) &amp; Aesthetic Potential<\/em> (AP) computation for sentences, chapters or books in multiple languages, e.g. English, German, French or Italian<\/li>\r\n<li><em>Emotional Figure Profiles<\/em> (EFP) and <em>Figure Personality Profiles<\/em> (&#8218;Pseudo-big5&#8216;) for fictive characters from books, movies or other media<\/li>\r\n<li>Advanced, machine-learning assisted <em>readability &amp; comprehensibility<\/em> analyses of verbal materials<\/li>\r\n<li>State-of-the-art <em>Natural Language Processing<\/em> (NLP) &amp; Computational Psycholinguistics analyses, e.g., semantic analyses based on <em>300d vector space models<\/em> &amp; deep neural nets; narrative structure, figure complexity or <em>Hybrid Hero Potential<\/em><\/li>\r\n<li>Development of domain-adequate and task-specific <em>Training Corpora<\/em> (e.g., the Gutenberg English Literary Corpus\/GLEC; Jacobs, 2018)<\/li>\r\n<li>Advanced statistical analyses, e.g., nonlinear <em>predictive modeling<\/em> of NLP big data and human behavioral or neuronal data from scientific studies of reading<\/li>\r\n<\/ul>\r\n\r\n<div class=\"ref\">\r\n<p><span style=\"font-size: 10pt;\">Jacobs, A. M. (2014). Affektive und \u00e4sthetische Prozesse beim Lesen: Anf\u00e4nge einer neurokognitiven Poetik (Affective and aesthetic processes in reading: towards a neurocognitive poetics.), in Sprachen der Emotion (Languages of Emotion), eds G. Gebauer and M. Edler (Frankfurt: Campus), 134\u2013154. <a href=\"https:\/\/www.google.com\/url?q=https%3A%2F%2Fwww.researchgate.net%2Fpublication%2F270283248_Affektive_und_asthetische_Prozesse_beim_Lesen_Anfange_einer_neurokognitiven_Poetik_Affective_and_aesthetic_processes_in_reading_beginnings_of_a_neurocognitive_poetics&amp;sa=D&amp;sntz=1&amp;usg=AFQjCNFRs7v3fJik0Zge9_FY41S-81-SLQ\" target=\"_blank\" rel=\"noreferrer noopener\">www.researchgate.net\/publication\/270283248<\/a><\/span><\/p>\r\n<p><span style=\"font-size: 10pt;\">Jacobs AM (2015) Neurocognitive Poetics: methods and models for investigating the neuronal and cognitive-affective bases of literature reception. Front. Hum. Neurosci. 9:186. doi: 10.3389\/fnhum.2015.00186 <a href=\"https:\/\/www.google.com\/url?q=https%3A%2F%2Fwww.frontiersin.org%2Farticles%2F10.3389%2Ffnhum.2015.00186%2Ffull&amp;sa=D&amp;sntz=1&amp;usg=AFQjCNFJsTRVaWPLJGYUqzCWix-YkakGWQ\" target=\"_blank\" rel=\"noreferrer noopener\">www.frontiersin.org<\/a>l<\/span><\/p>\r\n<p><span style=\"font-size: 10pt;\">Jacobs, A. M. (2017). Affective and aesthetic processes in literary reading: A neurocognitive poetics perspective. In M. Burke &amp; E. Troscianko (Eds.), <em>Cognitive Literary Science:Dialogues between literature and cognition<\/em>. Oxford Univ. Press. <a href=\"http:\/\/www.google.com\/url?q=http%3A%2F%2Fwww.oxfordscholarship.com%2Fview%2F10.1093%2Facprof%3Aoso%2F9780190496869.001.0001%2Facprof-9780190496869-chapter-16&amp;sa=D&amp;sntz=1&amp;usg=AFQjCNG3p3PsgyyPNbDeOoFLusJCzOUXjQ\" target=\"_blank\" rel=\"noreferrer noopener\">www.oxfordscholarship.com<\/a><\/span><\/p>\r\n<p><span style=\"font-size: 10pt;\">Jacobs AM (2018) The Gutenberg English Poetry Corpus: Exemplary Quantitative Narrative Analyses. Front. Digit. Humanit. 5:5. doi: <em>10.3389\/fdigh.2018.00005 <a href=\"https:\/\/www.google.com\/url?q=https%3A%2F%2Fwww.frontiersin.org%2Farticles%2F10.3389%2Ffdigh.2018.00005%2Ffull&amp;sa=D&amp;sntz=1&amp;usg=AFQjCNHYBFb3KZ20chWaoCm9W1o1yj3DDA\" target=\"_blank\" rel=\"noreferrer noopener\">www.frontiersin.org<\/a><\/em><\/span><\/p>\r\n<p><span style=\"font-size: 10pt;\">Jacobs, A. M., and Schrott, R. (2015). Gefesselt im Kopfkino: Von Kippschaltern, Madeleine Effekten und Don Quichote Syndromen bei der Immersion in Textwelten (Captivated in the mind\u2019s cinema: of trigger-switches, Don Quichote syndroms and immersion in text worlds). Available online at: FIKTION.CC<\/span><\/p>\r\n<p><span style=\"font-size: 10pt;\">Jacobs, A.M., &amp; Willems, R. (2018). The fictive brain: neurocognitive correlates of engagement in literature. Review of General Psychology, 22, 147\u2013160. <a href=\"http:\/\/www.google.com\/url?q=http%3A%2F%2Fdx.doi.org%2F10.1037%2Fgpr0000106&amp;sa=D&amp;sntz=1&amp;usg=AFQjCNGNrEyDpvSk1AmD6N0rYb9pfGtmKg\" target=\"_blank\" rel=\"noreferrer noopener\">http:\/\/dx.doi.org<\/a><\/span><\/p>\r\n<p><span style=\"font-size: 10pt;\"><strong>Schrott, R., &amp; Jacobs, A. M. (2011). <em>Gehirn und Gedicht: Wie wir unsere Wirklichkeiten konstruieren (Brain and poetry: How we construct our realities). <\/em>M\u00fcnchen: Hanser. <a href=\"https:\/\/www.google.com\/url?q=https%3A%2F%2Fwww.amazon.de%2FGehirn-Gedicht-unsere-Wirklichkeiten-konstruieren%2Fdp%2F3446236562&amp;sa=D&amp;sntz=1&amp;usg=AFQjCNEr6LNzJ8FFquzSUz6EuRp2PR464A\" target=\"_blank\" rel=\"noreferrer noopener\">www.amazon.de<\/a><\/strong><\/span><\/p>\r\n<p><span style=\"font-size: 10pt;\">Willems, R. &amp; Jacobs, A.M. (2016). Caring about Dostoyevsky: The untapped potential of studying literature. Trends in Cognitive Sciences, 20, 243-245. <a href=\"https:\/\/www.google.com\/url?q=https%3A%2F%2Fdoi.org%2F10.1016%2Fj.tics.2015.12.009&amp;sa=D&amp;sntz=1&amp;usg=AFQjCNE5TK0He9IjNdmuDGi1OFI-hLB_0Q\" target=\"_blank\" rel=\"noreferrer noopener\">https:\/\/doi.org\/<\/a><\/span><\/p>\r\n<\/div>","protected":false},"excerpt":{"rendered":"<p>Computational Poetics Computergest\u00fctzte Poetik This blog is about recent work in computational poetics and stylistics, digital literary studies and scientific studies of reading. It&#8217;s a spin-off of an interdisciplinary research project called Neurocognitive Poetics .It presents digital quantitative text analyses for all kinds of verbal materials in different languages with a focus on literary texts&hellip;&nbsp;<a href=\"https:\/\/sentiart.de\/blog\/\" rel=\"bookmark\">Weiterlesen &raquo;<span class=\"screen-reader-text\">Home<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"neve_meta_sidebar":"","neve_meta_container":"","neve_meta_enable_content_width":"","neve_meta_content_width":0,"neve_meta_title_alignment":"","neve_meta_author_avatar":"","neve_post_elements_order":"","neve_meta_disable_header":"","neve_meta_disable_footer":"","neve_meta_disable_title":"","neve_meta_reading_time":"","_themeisle_gutenberg_block_has_review":false,"jetpack_post_was_ever_published":false,"footnotes":""},"class_list":["post-2","page","type-page","status-publish","hentry"],"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/PaB6ya-2","_links":{"self":[{"href":"https:\/\/sentiart.de\/blog\/wp-json\/wp\/v2\/pages\/2","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/sentiart.de\/blog\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/sentiart.de\/blog\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/sentiart.de\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/sentiart.de\/blog\/wp-json\/wp\/v2\/comments?post=2"}],"version-history":[{"count":34,"href":"https:\/\/sentiart.de\/blog\/wp-json\/wp\/v2\/pages\/2\/revisions"}],"predecessor-version":[{"id":157,"href":"https:\/\/sentiart.de\/blog\/wp-json\/wp\/v2\/pages\/2\/revisions\/157"}],"wp:attachment":[{"href":"https:\/\/sentiart.de\/blog\/wp-json\/wp\/v2\/media?parent=2"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}